That’s the question I’m asking myself regarding the two posts below on chord-melody arrangements. I’m at the point where I don’t want to put time into learning tunes that I’m not excited about. So that makes me less than excited about putting work into the pre-written arrangements I mentioned earlier. Forgetting transposition into other keys, I want to at least begin by playing in the songs’ original keys. So I need to keep working on “How High the Moon,” and think of some modern tunes that could be done solo on the guitar. I’m looking through a fake book now for candidates and trying to pick things that don’t modulate so much.
In other news, I pulled all the guitars out last night to see how they’re doing physically. Is anything falling apart more now than before? The Goya classical’s back is still coming off near the bottom, but that’s pretty much status quo. Everything else checks out. The ES-175 bridge is still tilting slightly (turns out that string pull can do that with a floating rosewood archtop bridge), so I’ll have to loosen the strings and straighten it out. I want to measure first so I have a snowball’s chance of getting the intonation set right, since that guitar is surprisingly flawless in that regard (unusual for a fixed, compensated bridge).